A companion to digital literary studies by Ray Siemens, Susan Schreibman

By Ray Siemens, Susan Schreibman

This Companion bargains an intensive exam of the way new applied sciences are altering the character of literary experiences, from scholarly modifying and literary feedback, to interactive fiction and immersive environments.

  • A whole evaluate exploring the applying of computing in literary experiences
  • Includes the seminal writings from the sector
  • Focuses on tools and views, new genres, formatting concerns, and top practices for electronic renovation
  • Explores the recent genres of hypertext literature, installations, gaming, and net blogs
  • The Appendix serves as an annotated bibliography

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1973). Tristes tropiques ( J. and D. ). New York: Washington Square (Original work published 1955). Liu, A. (2003). ’’ In C. Jacobs and H. ). Acts of Narrative. Stanford: Stanford University Press, pp. 174–94. —— (2004). The Laws of Cool: Knowledge Work and the Culture of Information. Chicago: University of Chicago Press. —— (2005). ’’ Criticism 47: 249–60. —— (2006). ’’ In M. Hanrahan and D. L. ). Teaching, Technology, Textuality: Approaches to New Media. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, pp.

S. ). Harmondsworth, Middlesex, England: Penguin. 2013 1:41pm Compositor Name: ARaju Imagining the New Media Encounter Bolter, J. , and R. Grusin (1999). Remediation: Understanding New Media. Cambridge, MA: MIT Press. Braudel, F. (1980). On History (S. ). Chicago: University of Chicago Press (Original work published 1969). Bulger, Monica (2006). ’’ September 8. Transliteracies Project, University of California. ucsb. edu/post/research-project/research-clearinghouseindividual/research-papers/beyond-search-apreliminary-skill-set-for-online-literacy>.

Instead, they are doped with human contingencies that switch, bend, refract, refocus, and otherwise mediate the very experience of media in ways that kink any easy plot of old to new, centralized to decentralized, or embodied to tele-virtual. While narratives of new media encounter are modernization narratives, alternative visions of modernity and its complex identities emerge. 11 ‘‘Messy’’ means that right-angled historical, socio-political, or psychological distinctions between old and new media typically do not survive concrete acts of narration.

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