Artists-in-Labs Processes of Inquiry by Jill Scott (auth.), Jill Scott (eds.)

By Jill Scott (auth.), Jill Scott (eds.)

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General public to see some of these art and ethics discussions In the artists-in-labs project, the science labs that focused on mediums like film and video, rather than only read about on computing, engineering and Artificial Intelligence tended it. Writing may have augmentative value but we live in an to define innovation as the successful implementation of audio-visual culture. Film can often offer potentials for many creative ideas within a productive framework, but actually Jill Scott 31 there were many differences in approach.

Encourage education, interdisciplinary research and innova- The artists-in-labs study revealed that personal attitudes tive processes at the interface of science and art. Over the and assumptions from both the scientists and the artists past years, I have become aware that the evaluation and helped to shed light on how interdisciplinary collaboration reports on art-science projects lack basic levels of critical and exchange can help to 'bridge the gap' between the self-reflection. Perhaps this is due to the overall absence of various disciplines.

4 It soon became obvious that - had originally planned to make a comparative project be- if the artists wanted to become respected members of the tween the properties of art and those of science. 5 Not all on video clips, resulting from rotating cameras and images artists managed to do so, and for some, the situation was from the particle detector chamber of quantum physics unsolvable, resulting in insufficient levels of communication showing traces of high velocity particles. Bastianello works as and fruitful exchange.

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