Crimes, Society and the Law in Renaissance Italy by Trevor Dean, K. J. P. Lowe

By Trevor Dean, K. J. P. Lowe

This quantity places crime and ailment in Renaissance Italy firmly in its political and social context. The participants contain English, Italian, American and Australian students. the amount specializes in new fabric and addresses all phases within the judicial method from the drafting of legislation to the rounding up of bandits. The articles variety geographically throughout many of the peninsula. this can be the single single-volume remedy on hand at the topic in English.

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It was difficult to define precisely where the study of diplomacy or public law ended and the study of “international law” began. 16 Why did this change? The international context had much to do with it. Developments in the second half of the nineteenth century generated hopes and fears that sparked new legal departures. On the positive side, a half-​century of peace had comforted Europe after the end of the Napoleonic Wars in 1815. New technologies knit the world ever closer. Expanded economic ties raised hopes for peaceful cooperation, and easier travel and communication boosted transnational interactions.

Prompted by Swiss publicist Gustave Moynier and Francis Lieber, a German emigré who taught at Columbia University, in 1873 Belgian lawyer Gustave Rolin-​Jaequemyns invited twenty-​two experts to Ghent. There they founded a new international law organization, the Institut de droit international. The Institut consisted solely of experts, limited to an elected membership of one hundred twenty. Small committees would meet during the year to codify issues of public and private international law, and the entire Institut would assemble annually or biannually to ratify their deliberations.

76 A more general disillusionment followed as the profane realities of Leopold’s Congo supplanted its sacred promises. Joseph Conrad’s Heart of Darkness (1898) expressed its author’s discontented realization that the romantic adventures portrayed in Stanley’s dispatches had led not to civilization but to savagery. But Conrad’s critique of European imperialism did not encompass a cultural pluralism: his narrator pities Africans but evinces no respect for native society. 77 Americans had applied such a rationale to their treatment of Native Americans.

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